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FORMENT: Introduction

AYERST: Pluralising the Musical Text

KÖHNKEN: From Beethoven Performance to Beethoven Interpretation

LIN: Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time

Notes on Contributors

Publication Colophon

Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
BRUNO FORMENT

Pluralising the Musical Text: Improvising on Canonic Repertoire
JONATHAN AYERST

From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57
CAMILLA KÖHNKEN

Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time
XIANGNING LIN

Notes on Contributors
Publication Colophon

Cite as

Forment, Bruno, ed. Performing by the Book? Musical Negotiations between Text and Act, virtual companion. SONUS Series. Ghent: Orpheus Instituut, 2024. https://doi.org/10.47041/SONUS.2024.1.

Colophon

Authors

Bruno Forment, Jonathan Ayerst, Camilla Köhnken, Xiangning Lin

Date

01 October 2024

Review status

Double-blind peer review

License

Creative Commons Attribution 4.0 International License (CC BY 4.0)

Article DOI

10.47041/SONUS.2024.1

Contents

FORMENT: Introduction

AYERST: Pluralising the Musical Text

KÖHNKEN: From Beethoven Performance to Beethoven Interpretation

LIN: Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time

Notes on Contributors

Publication Colophon

Contents

Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
BRUNO FORMENT

Pluralising the Musical Text: Improvising on Canonic Repertoire
JONATHAN AYERST

From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57
CAMILLA KÖHNKEN

Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time
XIANGNING LIN

Notes on Contributors
Publication Colophon

Colophon

Imagining the Non-Present: Thought Experiments on Rich Temporality in Sound

Contents

Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?BRUNO FORMENT

Pluralising the Musical Text: Improvising on Canonic RepertoireJONATHAN AYERST

From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57CAMILLA KÖHNKEN

Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and TimeXIANGNING LIN

Colophon

Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
BRUNO FORMENT

Pluralising the Musical Text: Improvising on Canonic Repertoire
JONATHAN AYERST

From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57
CAMILLA KÖHNKEN

Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time
XIANGNING LIN