< INTRO Imagining the Non-Present: Thought Experiments on Rich Temporality in Sound
Several stacked pages of hand-written eighteenth-century music notation, ripped across the staff line.
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Editor
Carlo Diaz

Authors
Mark Dyer
Pablo Galaz Salamanca
Bryn Harrison
Tim Ingold
João Carlos Santos
Priya Satia
Michael Shanks
Jennifer Walshe
Caroline Wilkins
James Wood

Administrative editor
Heike Vermeire

Managing editor
Edward Crooks

Series editor
William Brooks

This publication has been double-blind peer reviewed.

The authors and editors of this publication have made every effort to identify and contact copyright holders, and the Orpheus Instituut welcomes correspondence from any rights holder from whom permission was inadvertently not gained.

Cover image
© Carlo Diaz

© 2026 by Orpheus Instituut
Korte Meer 12, 9000 Gent, Belgium

Issued under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND 4.0) licence.

DOI: 10.47041/SONUS.2026.2

Cite this publication as:
Diaz, Carlo, ed. Imagining the Non-Present: Thought Experiments on Rich Temporality in Sound. SONUS Series. Ghent: Orpheus Instituut, 2026. https://doi.org/10.47041/SONUS.2026.2.

This is a publication in the Orpheus Instituut SONUS Series.

Creative Commons Attribution-Non Commercial-No Derivatives logo.
Orpheus Instituut logo.

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Date
20 January 2026
Review status
Double-blind peer review
License
CC BY-NC-ND 4.0
Article DOI
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